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Music Theory & Analysis 1, #1 & 2, Leuven, Leuven University Press, 2014.

Music Theory & Analysis 2, # 2, Leuven, Leuven University Press, 2015.

Music Theory & Analysis 3, # 1, Leuven, Leuven University Press, 2016.

ANDERSON, Magnus, BROOKS, William, CANCINO, Juan Parra, KANNO, Mieko, Metacage - Essays on and around Freeman Etudes, Fontana Mix, Aria, Leuven, Leuven University Press, 2009.

(De) ASSIS, Paulo, Experimental Affinities in Music, Leuven, Leuven University Press, 2015 (Orpheus Institute Series).

AYARI, Mondher, MAKHLOUF, Hamdi, Musique, signification et émotion, Sampzon, Delatour, 2010.

BESADA, José L., Metamodels in Compositionnal Practices: The Case of Alberto Posada's Liturgia Fractal, Sampzon, Delatour France, 2017.

BYRNE BODLEY, Lorraine, HORTON, Julian, Rethinking Schubert, Oxford, Oxford University Press, 2016.

CAPLIN, William E., HEPOKOSKI, James, WEBSTER, James, Musical Form, Forms, Formenlehre - Three Methodological Reflections, Leuven, Leuven University Press, 2010.

COHN, Richard, Audacious Euphony - Chromaticism and the Triad's Second Nature, Oxford, Oxford University Press, 2012.

DARCY, Warren, HEPOKOSKI, James, Elements of Sonata Theory - Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata, Oxford, Oxford University Press, 2006.

DOLAN, Emily I., The Orchestral Revolution - Haydn and the Technologies of Timbre, Cambridge, Cambridge University Press, 2013.

FEISST, Sabine, HAIMO, Ethan, Schoenberg's Early Correspondence, Oxford, Oxford University Press, 2016.

JENKINS, J. Daniel, Schoenberg's Program Notes and Musical Analyses, Oxford, Oxford University Press, 2016.

MEREDITH, David, Computational Music Analysis, Cham, Springer, 2016.

POPOVIC, Tihomir, Der Dschungel und der Tempel - Indien-Konstruktionen in der britischen Musik und dem Musikschrifttum 1784-1914, Stuttgart, Franz Steiner Verlag, 2017.

ROOT, Gordon, Schoenberg's Models for Beginners in Composition, Oxford, Oxford University Press, 2016.

RUPPRECHT, Philip, SCHEIDELER, Ullrich, WÖRNER, Felix, Tonality Since 1950, Stuttgart, Franz Steiner Verlag, 2017.

SCHWAB, Michael, Experimental Systems Future Knowledge in Artistic Research, Leuven, leuven University Press, 2013 (Orpheus Institute Series).

(De) SOUZA, Jonathan, Music at Hand - Instruments, Bodies, and Cognition, Oxford, Oxford University Press, 2017.

TACKLEY, Catherine, Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert, Oxford, Oxford University Press, 2012.

TYMOCZKO, Dmitri, A Geometry of Music - Harmony and Counterpoint in the Extended Common Practice, Oxford, Oxford University Press, 2011.

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