Nicholas Baragwanath is Head of Music at the University of Nottingham. His research covers a wide range of topics from the Baroque to the present day. He has published on music theory and history from 1600, especially Italian; nineteenth-century opera; Haydn; Mozart; Wagner; Berg; Puccini; music analysis; and critical theory. He received the Westrup Prize in 2006 for an article on 'Musicology and Critical Theory' and the Emerson Prize in 2014 for a chapter on Mozart's early sonatas. He is also an experienced broadcaster and regularly writes and presents material for BBC Radio 3.
Contact : nicholas.baragwanath@nottingham.ac.uk
Séance précomposée - Analyzing Models and Creativity in the Long Eighteenth Century 6.B.5 : Bungled Schemata, Accent, and Class Prejudice in Haydn’s ‘Joke’ Quartet
