Rebecca Day is a PhD candidate in musicology at Royal Holloway, University of London, where she holds an AHRC Techne Associate scholarship. She is a visiting lecturer in music analysis, also at Royal Holloway, and a tutor in Music Theory and Analysis at the University of Oxford. Her thesis focuses on conceptions of subjectivity in Mahler’s musical modernism, and she has wider interests in the intersections between critical theory and music analysis. She is student representative on the Society for Music Analysis committee and co-founder of the Critical Theory for Musicology Study Group (affiliated with the Institute for Musical Research).
Contact : rebecca.day.2010@live.rhul.ac.uk
Séance - Musical Semiotics and Narrativity 2.B.1 : The Social, Philosophical, and Narrative Act of Music Analysis: Towards a Theory of the Immanent Musical Subject
