Nicole Grimes is Assistant Professor of Music at the University of California, Irvine. Her research is focused at the intersection between nineteenth- and twentieth-century German music criticism, music analysis and music aesthetics. She is particularly fascinated by the intertextual relationship between music and philosophy, and music and literature on which she has published widely. Her books include Mendelssohn Perspectives (2012 ed. with Angela Mace), and Rethinking Hanslick: Music, Formalism, and Expression (2013, ed. with Siobhán Donovan and Wolfgang Marx). She is in the final stages of writing a monograph called Brahms’s Elegies: The Poetics of Loss in German Culture. She serves on the Editorial Board of Music Analysis and is a member of the Board of Directors of the American Brahms Society. Her work on spectral music and on the music of Donnacha Dennehy marks the beginning of a new research project.
Contact : ngrimes@uci.edu
Séance précomposée - Spectralism on the Margins: Spectral Ideas and Intercultural Influence 6.G.4 : Giving Voice to Spectralism: Donnacha Dennehy and the Embodiment of Sound
