Sommaire

     Job IJzerman teaches solfeggio, ensemble singing for vocal students, analysis, harmony, counterpoint in baroque and renaissance style, and, more recently, schema theory and partimento at the Conservatory of Amsterdam. His publications and conference papers cover a wide range of topics, from the non-measured preludes of Louis Couperin to the early atonal music of the Second Viennese School. In 2013-15 a scholarship granted by the Dutch Department of Education, Culture and Science allowed him to perform research into harmonic-contrapuntal schemata in the music of the early-nineteenth century, mainly by Beethoven, Schubert and Schumann. In continuation of this research project, Job IJzerman prepares a textbook entitled “Harmony, Counterpoint, Partimento” (Oxford University Press, forthcoming publication).

     Contact : j.ijzerman@ahk.nl

     Séance - Teaching and Pedagogy (II) 12.B.1 : Harmony, Counterpoint, Partimento: A New Method Inspired by Old Masters

Musées de la Ville de Strasbourg
Opéra National du Rhin
Conservatoire de Strasbourg
CDMC