Timothy Jackson, Distinguished University Research Professor of Music Theory at the University of North Texas, is well-known for his work on Richard Strauss, on which whom wrote his doctoral dissertation (1988, City University, New York). Since completing his doctorate under Carl Schachter, Jackson’s interests have branched out to encompass German, Russian, Estonian, and Finnish traditions. Recent publications include, “The ‘Pseudo-Einsatz’ in Two Handel Fugues: Heinrich Schenker’s Analytical Work with Reinhard Oppel” (Rochester, 2015); “The First Movements of Anton Eberl’s Symphonies in E flat major and D minor, and Beethoven’s Eroica:" Towards “New” Sonata Forms?” (Rochester, 2016); "The Company You Keep:’
Contact : shermanzelechin@gmail.com
Séance - Formenlehre, Old and New 12.H.4 : Neo-Kochian and Schenkerian Approaches to “Punctuation Form”: Expressive Contents in the First Main Period of Selected G minor Symphonies of the Classical Era
