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     Anabel Maler is a PhD candidate in Music Theory and History at the University of Chicago. She hails from Ottawa, Canada and completed her Bachelor’s and Master’s degrees in music theory at McGill University. Her dissertation is entitled “Hearing Form in Post-Tonal Contexts.” Anabel’s academic interests include musical form and function, music of the late twentieth century, feminist music theory, music and disability, musical gesture, sign language music, and music in Deaf culture. Her work on song signing has been published in Music Theory Online and the Oxford Handbook of Music and Disability Studies. She has presented her work at the annual meetings of the American Musicological Society, the Society for American Music, and the Canadian University Music Society.

     Contact : amaler@uchicago.edu

     Séance - Leaving – and Regaining – the Shores of Tonality 5.F.3 : Hearing Function in Post-Tonal Contexts

Musées de la Ville de Strasbourg
Opéra National du Rhin
Conservatoire de Strasbourg
CDMC