Sommaire

     Daniel Moreira holds a M.A. in Music Theory and Composition (Higher School of Music, Arts and Performance, Polytechnic Institute of Porto – ESMAE/IPP; 2010) and is at present a PhDcandidate in Music Composition (King's College, University of London; 2012—). As a composer, his music hasbeen commissioned, among others, by Casa da Música, Festival Musica Strasbourg, EuropeanConcert Hall Organisation and Chester&Novello. As a theorist, his work (centered around pitch and temporality in atonal music) has been presented at EuroMAC(Leuven, 2014), KeeleMAC (Keele, 2015) and CIATM (Rimini, 2016) and published in Revista Portuguesa da Musicologia (2016). Since 2009, he has been teaching analysis and composition at ESMAE/IPP. Since 2014, he is a researcher at CITAR/Catholic University of Portugal.

     Contact : daniel.moreira.83@gmail.com

     Séance -The Second Viennese School (I): Berg, Organicism, and the Teleology of Form 3.A.2 : Making Sense of Pitch in the “Free Atonal” Second Viennese School Repertoire: A Teleological Approach based on Salience Conditions

Musées de la Ville de Strasbourg
Opéra National du Rhin
Conservatoire de Strasbourg
CDMC