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     Joshua Banks Mailman has been teaching music at Columbia University, NYU, UC Santa Barbara, and University of Alabama, since earning his Ph.D. in Music Theory from the Eastman School in 2010. He researches form from flux: dynamic form. His writings appear in Music Theory Spectrum, Music Analysis, Perspectives of New Music, TEMPO, Journal of Sonic Studies, Psychology of Music, Music Theory Online, Open Space Magazine, and Leonardo Electronic Almanac. He has written on narrative, embodiment, electroacoustic music, interactivity, and post-tonal analysis in books and proceedings of Music Perception and Cognition, Cognitive Sciences of Music, Sound and Music Computing, and Analytical Approaches to World Music. He is co-chair of the Society for Music Theory’s Analysis of Post-1945 Music Interest Group.

     Contact : jmailman@alumni.uchicago.edu

     Page Internet :www.joshuabanksmailman.com

     Séance - Opposing Opposites in America: Babbitt and Reich 2.A.2 : Babbitt’s Beguiling Surfaces, Improvised Inside

Musées de la Ville de Strasbourg
Opéra National du Rhin
Conservatoire de Strasbourg
CDMC