Nathan John Martin is assistant professor of music theory at the University of Michigan, where he joined the faculty in 2015 after holding postdoctoral fellowships and teaching positions at Columbia, Harvard, the Katholieke Universiteit Leuven, the Hochschule für Musik Freiburg, and Yale. He has lectured and published widely on Rameau, Rousseau, and the history of music theory more generally, as well as on the analysis of classical form. His co-edited collection Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno was published by the University of Rochester Press in 2015. In 2014, his article "Rameau's Changing Views on Supposition and Suspension" won the Society for Music Theory's Outstanding Publication Award. Since 2013, he has been co-editor of Music Theory & Analysis (the former Tijdschrift voor Muziektheorie.
Contact : natha@umich.edu
Séance précomposée - Analyzing Mozart's Operas: External Stakes, Intrinsic Challenges 10.D.5 : Osmin’s “Rage Aria”
