Hiroko Nishida is an Assistant Professor at the Faculty of Design at Kyushu University in Japan and holds a Ph.D. in Musicology from Tokyo University of the Arts. From 2005–2007 she studied music theory during her doctoral course at the Universität für Musik und darstellende Kunst Wien. Her research focuses primarily on Schenker and Schenkerian discourses. Publications include articles on Schenker’s narrative interpretations and editorial method, that have appeared in the Journal of Schenkerian Studies, Aesthetics, Musicological Society of Japan, etc., and translating Schenker’s Beethoven’s Ninth Symphony (2010), Beethoven’s Last Five Piano Sonatas: Critical Edition, Op.109, Op.110, Op.111, Op.101 (2012–2015), and Eva and Paul Badura-Skoda’s Interpreting Mozart (2016) into Japanese along with her colleagues.
Contact : nishida.hiroko@gmail.com
Séance - Schenkerian, Riemannian, and Neo-Riemannian Theories 5.J.4 : Questioning Theoretical Robustness: Quasi-Integration of Neo-Riemannian and Schenkerian Theories
