Michael Oravitz (MM and Ph. D, music theory, Indiana University) is Associate Professor of Music at the University of Northern Colorado, where he teaches courses in music theory and history. He maintains interests in the music of Debussy and its formal designs, as well as meter’s role in contributing to those formal designs. He has published on form in Debussy’s piano music in Res Musica (2015) and Les Cahiers de la Société québécoise de recherche en musique (2013), and has presented on Debussy in a number of international and national conferences, including the Seventh International Conference on Music Theory (Tallinn and Pärnu, 2014), the national conference of the Society for Music Theory (Nashville, 2008), and Euromac 6 (Freiburg, 2007). Michael also maintains interests in music theory pedagogy, and has published in the Journal of Music Theory Pedagogy (2012).
Contact : michael.oravitz@unco.edu
Séance - French Music (II): Berlioz and Debussy3.D.2 : Form and Structural Narrative in Debussy’s Prélude à l’après-midi d’un faune