Born in Israel, Uri Rom studied conducting and music theory in Tel Aviv and Berlin. In 2011, he completed his Ph.D. degree summa cum laude at the Humanities Faculty of Berlin’s Technical University, writing on the compositional significance of key choice in Mozart’s music. His compositions in original and historical styles and completion of fragments by Mozart have been published, and recently his oboe concerto in the style of the Venetian Baroque was recorded for harmonia mundi. His research interests encompass Formenlehre and corpus studies on musical form, structure and expression in Mozart’s music, and chromatic harmony/enharmonicism. Since October 2011, he teaches as an assistant professor for music theory at The Buchmann-Mehta School of Music at Tel Aviv University.
Contact : urom@post.tau.ac.il
Séance précomposée - Ambiguity, Illusion & Timelessness in Late and Post-Tonal Harmony 10.G.4 : Making Harmonic Ambiguity Sound – Schoenberg, Escher, Brahms
