Peter H. Smith, Professor of Music and Department Chair at the University of Notre Dame, earned his Ph.D. in music theory from Yale University. He also holds M.M. and B.M. degrees in viola performance from The Juilliard School. Smith’s research interests include the instrumental music of Brahms and related composers, Schenkerian approaches to analysis, and theories of musical form and expression. He has published articles on these topics in numerous scholarly journals. His book Expressive Forms in Brahms’s Instrumental Music was published by Indiana University Press in 2005. IU Press also published in 2012 Expressive Intersections in Brahms, for which Smith served as co-editor and chapter contributor. Smith is past president of the American Brahms Society and currently serves on the editorial boards of Theory and Practice, Journal of Schenkerian Studies, and Indiana Theory Review.
Contact : peter.h.smith.80@nd.edu
Séance - Reconsidering Later Romanticism 12.C.4 : Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music
