Loretta Terrigno earned her Ph.D. in music theory and musicology from The City University of New York, The Graduate Center. She holds a B.M. in piano performance and an M.M. in piano performance and music theory from the Mannes College of Music. Her dissertation, “The Protagonist’s Experience: Temporality, Narrative, and Harmonic Process in Brahms’s Solo Lieder,” explores interactions between nineteenth-century tonal techniques and temporality in Brahms’s songs. Her articles and book reviews appear in the journals Music Research Forum, Notes: The Quarterly Journal of the Music Library Association, Nineteenth-Century Music Review, and Music Analysis (forthcoming). In addition to text-music relationships in nineteenth-century German art song, her research interests include performance and analysis studies, music theory pedagogy, and musical narrative.
Contact : lterrigno@juilliard.edu
Séance - Schumann, Brahms, and Elgar 12.E.5 : The Art of Lamenting: Resurrection of the Past in Brahms’s “Es steht ein Lind” WoO 33, no. 41
