Susan Wollenberg was until September 2016 Professor of Music at the University of Oxford, Lecturer at Brasenose College, and Fellow and Tutor of Lady Margaret Hall, where she now holds an Emeritus Fellowship. Her publications include Music at Oxford in the Eighteenth and Nineteenth Centuries (2001); Concert Life in Eighteenth-Century Britain (2004), co-edited with Simon McVeigh; and, co-edited with Therese Ellsworth, The Piano in Nineteenth-Century British Culture: Instruments, Performers and Repertoire (2007). She edited the proceedings of the international bicentenary conference ‘Fanny Hensel (née Mendelssohn Bartholdy) and her Circle’ (Oxford, 2005) for Nineteenth-Century Music Review (2007). Her monograph, Schubert’s Fingerprints: Studies in the Instrumental Works, was published in 2011. She co-edited, with Aisling Kenny, Women and the Nineteenth-Century Lied (2015).
Contact : susan.wollenberg@music.ox.ac.uk
Séance - Readings of Franz Liszt 2.D.2 : 19th-Century Song Cycle as an Object of Interdisciplinary Analysis. A case of Franz Liszt’s Song Cycles
